I'm also experimenting with breath monitoring today; I'm going to wear a shoulder-strap backpack (just lightly weighted) so I can be more aware of my shoulders moving and focus more on energy below the sternum.
Listened to Lesson 2/26/16
- start with low, almost all nasal sound. Small. Transition to "ya"
- Renee face.
I think the reason I tend to better on days that I'm sick/have acid reflux I take things slower, and much lighter before working up to using my full voice. Just a thought.
- precise onset of pitch and breath.
- soft jaw/cheeks; use more of the brain, rather than the jaw to add focus to the sound.
- micropanting/nose pants
- "open glottis"
- Coordination over pitch.
- slippery feeling/supple
- explore your space, not being open and still.
- Don't focus on how you sing, but that your breath is everything you want it to be "what a great day"
- drooling face
- maintain foggy every as you go up.
- Take deep breaths (tracheal tug) while maintaining height!!!
- Try doing gentle "nyam nyam" before 1358531. LIKE THAT.
- almost all nasal!!!
After about 50 min. of warming up, I'm starting to feel more loose, but there's still some squeezing in the pharynx that I can't seem to be able to alleviate.
(Okay, as soon as I typed "pharynx" just now, I realized I may have been closing down the upper pharynx. Aaaaaand that fixed quite a few things. Whaddayaknow.)
BEST THINGS I DID TODAY:
- Start small, "nyam nyam" nasal WITH open pharynx
- foggy bottom w/ child-like top
- soft jaw
Cindy DeweyMarch 17, 2016 at 7:43 PM
ReplyDeleteRichard Miller says that when the Italians say Gola aperta = open throat, they are actually referring to the nasopharynx rather than the oropharynx or laryngopharynx as when we get the right, the rest of the throat just tends to be freer.