Monday, October 17, 2016

Practice 10/17/16 and Lesson Summary 10/14/16


Warm-Up
Started out with a pretty "normal" voice. Nothing particularly strange. Some mild reflux. 
  • Lesson 10/10/16 follow for ~20-25 minutes.
    • Watch posture
    • maintain connection 
Lesson Take-Aways:
  • You don't need your face/body to make a sound. Just let it go!
  • Breathe on your vowel. Watch clavicular breathing. 
Summary: 
  • Lesson 10/14/16
    • Don't be afraid to release the jaw
    • Body and face is neutral! You don't need extra movement/contortions to get what you want!
  • "ya/yo" 8531
    • Watch tip of the tongue--it's anchored against the bottom row of teeth.
    • The heel of the tongue mobile
    • breathe in with the "y"
    • Watch "hyo." Just "yo." 
  • "gai lai" 5432123454321
    • less "singy." Simple.
    • [g] is crisp and high
  • "sh+Vowel" 8-7654321-3-5-87654321 etc. 
    • Release the spine as you release air. 
    • Try planting the feet and twisting/swinging arms out in a horizontal propeller motion to release the back as you sing. You're bracing too much. 
  • [mi si] 54321
    • Watch that the [m] stays flexible in the soft palate
    • [s] release jaw
  • [a e o] 1353-135853-135838531. 
    • Stretchy, luxurious feeling. 
    • No change in pressure, just change in stretch
    • not up and down, but through. 
    • vowel internal 
    • You don't have to work; just stay out of its way
    • As you ascend, there isn't more pressure, but there's more concentration of the sound. 
    • Watch that you don't brace with the root of the tongue
Now that I've done some vocalization and singing, I feel pretty good about my middle range and low range, but I've having a hard time finding that balance of "concentration" in the sound while maintaining release so it doesn't feel like I'm screeching, especially for my A5s.... 

1 comment:

  1. You and I both tend towards edginess in our voices. When it feels screechy, do some yawn-sigh kind of things, putting the desired pitches at the top of a scale. Or try the 1-3-5-8-7-5-4-2-1 arpeggiated pattern, feeling the stretchy connected feeling as you arch through the top pitch.

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