Showing posts with label Independent. Show all posts
Showing posts with label Independent. Show all posts

Thursday, August 31, 2017

Practice 8/10/17

Lesson 2/26/16 (x2)

Voice has been feeling a bit too "leady"--base of tongue tension + zero breath support (feels like always gasping for air)

No earplugs this time. 

  • really focus on sensation
  • watch descending scales; there should be no breathy [h] delineation for each note.
    • notice in "ya" 54321 that pitch change happens in "same place" with no laryngeal help to separate notes
  • don't make vibrato. Go for simplicity. Don't make a sound. 
  • jaw/tongue independence. 

Practice 8/1/17

Lesson 7/31/17

Voice feels a little abused from oversinging/reflux/allergies?


  • Start with many SOVTE, like lip buzzes, [th] [v] [u]
  • experiment with idea that breath is accelerating; not necessarily more volume. Start normally and allow it to move somewhere.
  • watch that you're allowing the line to FLOW as one, rather than having it fade in/out between pitches. 
  • watch jaw is independent of tongue

  • Watch if sound "moves" in face when descending. 
  • [th] 54321, not "bouncy." Think more legato. 
  • "oy" 54321-123454321
    • don't sing in your space for the vowel. Sing in front of it. 
  • **Use "yodeling" [a u a] 1-8-1 to discover your isolated CT. Good for use above E/F5+

Practice 7/24/17

Lesson 4/18/17
(Earplugs)

  • release back soft palate
  • everything in front of dimples
    • don't force
  • start vocalization gently/simple.
  • corners of mouth yearn for each other
  • "no jaw", but allow to open
  • open pharynx --> the breath also doesn't "explode." It is grounded. 
  • all sound is above the mouth
  • watch that chin doesn't get stuck down
  • "nyam--ah" 54321-54321
    • vowel open on top. not with jaw.
  • watch subglottal pressure; feeling of suspension of breath.
  • space in BODY, then thread the needle.
  • you have to balance generosity of air and too much air
  • **No sense of breath "drying out" the folds as you sing; it goes above; the space for higher pitches (all pitches) is above the nose
  • don't get lazy as you descend.
  • "when I" exercise: allow lips to move from active to inactive.
  • onsets will never scoop up (especially with consonants)
  • if getting stuck in the throat, think more nasal/in front of dimples. 
  • **Really monitor back of tongue/roof.
  • A-O joint flexibility
  • even breath flow
  • jaw is very released/open
    • Think Nebrebko or Sierra
    • watch that back of pharynx is nice and soft.
    • still keep in mind "front of dimples."

Practice 6/17/17

I haven't been posting things here lately, but I have a whole bunch of notes in my practice journal that I'm going to post here.

Lessons 2/26 and 2/27/16
  • earplugs
  • easy, quiet onsets (soft)
    • think of very edges of folds vibrating -- no body
  • Don't "make" a sound happen.
  • Breathe through nose and become aware of NO sensation in pharyngeal muscles/space.
    • the pitch starts at the unicorn tip of horn.
    • can also do "bite the apple" breath.
  • Watch that onsets are soft and easy
  • **You feel NOTHING in back of throat or at glottis. 
  • use little vocal capital during warm-ups
  • feels cool air on front half of roof of mouth
  • focus on the good. NOT getting rid of the bad
  • vowel uniformity
  • jaw hinges/swings open
  • think ascend as you descend 
  • even breath flow as you ascend
  • you feel NOTHING in soft palate
  • tip of tongue against bottom row of teeth

  • Breath should be casual; don't make a breath be anything. 
    • when you open your mouth, air just comes in. 
  • it's never "all or nothing"!